As I said regarding Asakusa’s spaceship, audience resonance is key, Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Facebook (Opens in new window), Click to email this to a friend (Opens in new window). When she visits a screening event held by Anime Club with fellow student Sayaka KANAMORI, an amateur model Tsubasa MIZUSAKI starts talking to them. If you don’t see it … GiraffePants Anime 590 views. (Japanese: 映像研には手を出すな!, Hepburn: Eizōken ni … While it's not uncommon for creators in any industry to base characters on themselves, Asakusa is personal to Owara in… Like I get that its … Source – Keep Your Hands Off Eizouken! – Episode 5. Yes, scandalous, I know. Asakusa runs in a perpetual stumble, and this slow-mo shot of her pulling the chord is fantastic, “I thought this was going to be giant robot scifi, but instead it’s got the scent of robot crime.” ROBOT CRIME, Asakusa even explains mechanical concepts when she’s by herself. I strongly relate to all of this, “You’re taking pictures too, Mizusaki?” “Of course! ~YOU DIED~ Anime: Eizouken ni wa Te wo Dasu na! Rate this episode here. As she was being chased by men dressed in all black, ASAKUSA and KANAMORI help … Asakusa discovers a mysterious robot, and before long Mizusaki and Kanamori are implicated in the conspiracy surrounding it. Keep Your Hands Off Eizouken articulates that in such a divine way. Their production managed to simultaneously embody all the shortcuts they had to embrace to actually finish, while also demonstrating the indescribable magic of seeing your creative ideas come to life. Keep Your Hands Off Eizouken! This episode continues to lightly riff on horror tropes through its staging, Oh my god, Asakusa even has light-up shoes, Their fortunes have certainly improved – this second video will be promoting the robot club at the school festival, which will also be robot-themed, Asakusa articulating a common plight of the creative – they want their work to be seen and appreciated, but they also want to spend all their time hiding and working in a dark hole, away from lots of people. - Duration: 14:32. As production starts to spin up for the eizouken's latest project, Asakusa has trouble nailing down the fine details of the story, which leads to no shortage of anxiety for Kanamori. There are some changes, as we’ll see, but these are minor and don’t affect the episode in any major way. episode 5 sees the main trio take on a new challenge: create a giant robot anime, commissioned by the Robot Club. Alternative names: Eizouken ni wa Te o Dasu na!, Hands off the Motion Pictures Club!, Keep Your Hands Off Eizouken! It features the trials, the tribulations, and ways of making anime. ?” This show is so good, Holy shit. Creators like Hayao Miyazaki and Shigeru Miyamoto regularly admit they’re inspired by incidental elements of the natural world; rather than simply make a story that echoes the ideas of the stories you’ve seen before, it’s crucial to go out and find your own inspiration, and make something that feels true to your own experience of the world. Though she draws a variety of ideas in her sketchbook, she hasn't taken the first step to creating anime, insisting that she can't do it alone. Episode 1 Online at Anime-Planet. It must be said that the premise for the second half of Eizouken episode 5 is remarkably similar to that of last week’s, but what sets this week apart is the central ‘antagonist’: Ono, a member of the Robot Club who’s perhaps a little too passionate about what he views as the ideal robot. Let’s get back to Eizouken! They go maybe a little overboard in its design specs. EP. The main ones that stood out to me were when Kanamori kicked down the rusted door (to which Tsubame remarks that she can “even put inanimate objects in their place”); the short exchange between Tsubame and Kanamori where the former asks the latter if she has cut her hair, to which she gives the curt reply “Yes.” before moving on to the business at hand; and the hilarious sequence where Midori manages to climb out of the hole that the trio fell into thanks to the numerous contraptions and tools that call her giant rucksack home. episode 5 via Crunchyroll. You can watch the episode online officially on Crunchyroll. A great deal of anime comedy fails for me because it lacks a light touch, but sequences like this make it look easy, Asakusa found a giant robot. Keep Your Hands Off Eizouken! Nice comedy of expectations there – stumbling past someone is a common piece of physical comedy, but extending it to a second cut with no transition emphasizes Asakusa’s world-class clumsiness. Click the edit button at the top of any page to get started. If we’re talking about three-meter-tall monsters, wouldn’t a heavy machine gun do the job?” Asakusa relentless in her criticism of their worldbuilding, The team enter a network of tunnels beneath the school. Episode 4, Hold That Machete Tight!, on Crunchyroll. The final result is not Kanamori browbeating the robot club, but the teams finding their point of emotional connection, and then the Eizouken actually bringing the robot club into their design process, Analog instruments are essential – a true giant robot would likely be run entirely by a computer program and keyboard, but analog controls just feel robot-like. But differing visions and shaky foundations threaten to trip them up along the way – can they rise to the challenge? Anyone can make a story that seems like other stories – to write your story, you must pull from your own experiences, Asakusa invents a turtle-crab for the robot to fight, “Asakusa, sometimes your focus on realism can be a little hard on fiction.” It’s true – Asakusa’s approach is very specific to her, and her fascination with detailed mechanical design. ep 5 *spoilers* Anime and Manga - Other Titles This is a split board - You can return to the Split List for other boards. What’s not to like? Science SARU via Crunchyroll / Shogakukan, Review: Me & Roboco – How to Slam Jump References and Win Hearts, Akudama Drive Review: Neon Highs, Unfortunate Roadblocks, and Cold Brutality, With the Mahito Arc, Jujutsu Kaisen Is Working Overtime. Episode 4 Hold That Machete Tight! We’re opening with a horror riff this week, featuring plenty of horror touchstones – ominous rising horns matched by slow pans up mysterious objects, and a generally desaturated color scheme, Weather is another profoundly useful dramatic tool. We’ll get into the consequences of that a little later on, but safe to say that the creative visions on both sides of the table don’t quite match up. As Mizusaki is banned from joining the anime club by … The nature of that insidious plot? Eizouken’s 4th episode […] And of course, the setting influences the movement!” Mizusaki is articulating something relatively unique to anime, even within animation more broadly. Nice comedy of expectations there – stumbling past someone is a common piece of physical comedy, but extending it to a second cut with no transition emphasizes Asakusa’s world-class clumsiness. Well, of course Kanamori would be working with the enemy, Another great joke of anticlimax, as the horns build up and the rocket is fired through this impressive perspective shot, then the collision with Asakusa is framed flatly from the side, and heralded by an unimpressive “boink” noise as the music cuts, The robot is Talos, and was built by the robot club, unsurprisingly. There’s also an interesting visual technique used in Eizouken episode 5 that we haven’t seen before – on-screen thought bubbles that take the text of the original manga and put it directly in the gaze of the viewer. I suppose, in a show about all aspects of anime production, discussing the historical tropes of anime also makes sense. The Shibahama High School robot club commissioning an anime short from the eizouken. If the function of Keep Your Hands Off Eizouken! With Sairi Itô, Mutsumi Tamura, Misato Matsuoka, Yumiri Hanamori. In terms of adaptation, this episode follows chapters 8 through 10 of the original manga by Sumito Oowara in a relatively faithful manner. Rate this episode here. Heading into next week, it’ll be interesting to see how and if the series can match the highs of its previous narrative. Episode 5 An Iron Giant Appears! In any case, in order to please their new clients – who are revealed in an amusing sequence where Midori very much gets the wrong end of the stick – they head underground to employ yet another technique used by professional animators in their work: using real-life references. To anime and manga fans, it is a thing of great joy to see anime receive global recognition outside the anime industry. Episode 11 Online at Anime-Planet. In his heart, the idea of a giant, man-piloted robot that is also grounded and realistic makes total sense, because part of the appeal of giant robots is their real-world mechanical grittiness. Keep Your Hands Off Eizouken! Finally, there are some interesting touches on the production side of things from Masaaki Yuasa and the team over at Science SARU that are worth highlighting. This wiki is dedicated to Sumito Ōwara's 2016 Japanese manga Keep Your Hands Off Eizouken and its 2020 anime adaptation. But, as mentioned, they’re not going to have an easy time of it. Reminder: Please do … Stream Keep Your Hands Off Eizouken! Looking for episode specific information Eizouken ni wa Te wo Dasu na! Hello everyone, and I hope you’re ready for another episode of Keep Your Hands Off Eizouken! But much credit has to go to Yuuki Ono, who brings the character and his ravings to life in his excellent performance, building on his excellent work last season as Louis in BEASTARS. Keep Your Hands Off Eizouken! I loved it. Is Zac ever gonna give an episode less than 5 stars? Episode 5 Online at Anime-Planet. This, too, is a key part of the creative process – going out into the world, and being inspired by the things you see. Indeed, this feeds into the theme of dreams vs. reality that has reared its head several times throughout the course of the series so far, but this week’s denouement is much more comedic than meditative in its overtones. Together with Midori's money-loving best friend Kanamori Sayaka, the energetic trio slowly work towards making their "ultimate world" a reality! Part of this is to be expected, as last week was the climax to an arc that let us see how all of the trio’s hard work paid off. Episode 2, The Eizouken Takes the Stage!, on Crunchyroll. Find out more with MyAnimeList, the world's most active online anime and manga community and database. is, at least in part, to showcase different aspects of anime production in a fun and lighthearted manner, then episode 5 is no exception. Keep Your Hands Off Eizouken! First year high schooler Midori Asakusa loves anime so much, she insists that "concept is everything" in animation. The club are worried that Eizouken aren’t taking this seriously enough, but Asakusa’s incredibly detailed and seemingly realistic monster designs immediately put the lie to that, But the leader of the robot club can not be made happy, because he himself is unable to realize what he’s asking for is a contradiction. Posted on February 21, 2020 by Bobduh. I imagine the team will be setting their sights even higher for their second production, and I can’t wait to see what dark corners of the creative process this show illuminates next. We’re a collaborative community that anyone can edit. In the case of Eizouken episode 5, this comes when the characters are in the underground space doing location hunting, with their voices echoing in the vast empty cavern. And that effect extends beyond the sky itself, as this episode demonstrates through its muted overall colors, Aha, I love this cut of Asakusa stumbling past Mizusaki, that then immediately transitions to a second shot of her continuing to stumble across the walkway. So question. And the lack of closeups or camera shifts creates a sense of “deadpan” in the framing itself. The producer-type Sayaka Kanamori is the first to notice Asakusa's genius. episode 5 sees the main trio take on a new challenge: create a giant robot anime, commissioned by the Robot Club. Regarder Keep Your Hands Off Eizouken! STORY I loved the story. Stub articles are a great place to start. 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We highly condemn the use of streaming anime or reading manga on an unofficial website. (Keep Your Hands Off Eizouken!)? is a show about 3 girls who decide to make anime together. This whole school gives me extreme The Tatami Galaxy vibes, which shouldn’t really make sense, since the two stories are by different authors. I’m of two minds with regards to this: on the one hand, it’s a pretty lazy way of adapting content from the original manga, but then again, it’s nice to see some of the detail included that would otherwise be lost along the way. Having made a splash and won the favor of the student council in last week’s episode, Keep Your Hands Off Eizouken! Episode 3 Let's Accomplish Something! Keep Your Hands Off Eizouken! Setting up a new arc is never easy, but then again, you can do a lot worse than Eizouken episode 5. The student council's budget committee looms on the horizon as the eizouken… Keep Your Hands Off Eizouken! The core similarities between the ‘antagonists’ and ‘protagonists’ of Eizouken episode 5 are, of course, on full display at the end, where Tsubame and Midori break down in tears alongside Ono in realizing that they’ll never fulfill their wildest dreams, such as going into space or doing a Hadoken. Because of this, anime is often uniquely flexible in its approach to standout sequences, and the best animators concern themselves not just with characters, but with how full environments can facilitate exciting drama, Kanamori states that it looks like they’re playing around, and Asakusa admits they kind of are. That being said, this week’s episode was definitely not as exciting as last week’s. In any case, once the trio has finished coming up with the idea for their commissioned short film, they then have to present it to their customers – the Robot Club – in order to receive their funding. 14:32. Looking for information on the anime Eizouken ni wa Te wo Dasu na! In general, this show’s dialogue is just so much sharper than most shows – these characters feel young and anxious and self-aware in a way you don’t often see through the idealized nostalgia of anime, And for the negotiation phase, Kanamori of course takes charge. (Keep Your Hands Off Eizouken!) Asakusa discovers a mysterious robot, and before long Mizusaki and Kanamori are implicated in the conspiracy surrounding it. Nevertheless, the subtle touches that Masaaki Yuasa and the team over at Science SARU bring are worthy of praise, including one instance where they finally deliver on of the most unique aspects of the visual presentation of the original manga. is one such series, and it's making history as the first anime to be included in both The New York Times' and The New Yorker's best shows of the year lists. They fall through the floor, and all of Asakusa’s survival tools actually come in handy. “Something is definitely going on at this school!”, More horror movie framing – the extreme closeup of the door as Asakusa pokes her head in, and the shot of Mizusaki from three quarters overhead, emphasizing her stance within the light of the door, The character acting in this show is so loose and yet so brimming with personality. Yes, opprobrious, I understand. Anyone can make a story that seems like other stories – to write, story, you must pull from your own experiences, Kanamori opens with a big win, as she enters the room while the robot club are in the process of their, Analog instruments are essential – a true giant robot would likely be run entirely by a computer program and keyboard, but analog controls just, robot-like. Creators like Hayao Miyazaki and Shigeru Miyamoto regularly admit they’re inspired by incidental elements of the natural world; rather than simply make a story that echoes the ideas of the stories you’ve seen before, it’s crucial to go out and find your own inspiration, and make something that feels true to your own experience of the world. We already saw a little bit of this technique in previous episodes, especially when Tsubame used a video of herself swinging a machete as reference for her key animation, but Eizouken episode 5 dials things up a notch. Keep Your Hands Off Eizouken! And Asakusa’s mechanical interests align perfectly with giant robots, “Pay exists to ensure a quality standard for labor.” Kanamori truly believes in the righteousness of money, “I dunno about buildings, but a giraffe is taller than this thing. episode 5 anime complet VOSTFR HD gratuitement, voir anime Keep Your Hands Off Eizouken! Sorry, your blog cannot share posts by email. Watch Keep Your Hands Off Eizouken! There is, after all, not much difference between him, the Eizouken and the otaku reader – just that he stands in the way of our protagonists this time around. Watch Keep Your Hands Off Eizouken! Aha, I love this cut of Asakusa stumbling past Mizusaki, that then immediately transitions to a, shot of her continuing to stumble across the walkway. Ep. Starting with Tsubame imaging one of the struts crumbling and falling to the ground, the trio then gets wrapped up in the idea of using the real-life setting of the cavern underneath the school as the stage for an intense battle between a giant, chainsaw-wielding robot and a giant kaiju crab. And the lack of closeups or camera shifts creates a sense of “deadpan” in the framing itself. By pure chance, she meets Mizusaki Tsubame, an up-and-coming socialite secretly dreaming of becoming an animator. The different anime they make, the hijinks they get up to. Alternative names: Eizouken ni wa Te o Dasu na!, Hands off the Motion Pictures Club!, Keep Your Hands Off Eizouken! Vladlove Episode 1 Review: We’re Vladlovin’ It! Today I am consumed by even more anticipation than usual, as unlike every other episode since the premiere, I actually haven’t watched this one myself yet. It was just people working to … +1 unverified. Post was not sent - check your email addresses! Eizouken remains an incredible gift of a show. These changes don’t adversely affect the episode, however, and were only noticeable to me as someone who has read the original manga. This guy is not able to parse the fiction he loves with a creator’s eye; he is describing a feeling, and getting mad at seeing the half-finished, fantasy-dismantling stages that will eventually create that feeling, “So it’s reality that doesn’t care about giant robots.” Mizusaki can be ruthless too, even if accidentally, And at last, the underlying truth comes out: the club president can’t admit that giant robots are inherently unrealistic because goddamnit, he really wants to pilot a giant robot, Kanamori senses weakness, but of course the two artists are actually moved by his plight, and relate their own unrealistic fantasies, Ooh, I love this. Then you should check out MyAnimeList! Any last-minute delays or schedule changes notwithstanding, the Keep Your Hands Off Eizouken episode 5 release date should be Sunday, February 2, 2020. Why this unique element of the original manga has not been included up until this point is anyone’s guess – it appeared in the manga plenty of times before this – but it’s quite confusing when taken along with the numerous other things that were cut from this episode in favor of it, such as the subtle detail that Midori and Tsubame are wearing mecha pilot suits when they go to investigate the giant robot, which shows that they’re in their imagined world, and a scene with Kanamori at the very beginning that inserts a little bit of dramatic irony as to her involvement with the Robot Club for the reader. An additional episode of Maintain Your Hands Off Eizouken School robot club come together to work on creating greatest. Of Keep Your Hands Off EIKZOUKEN another episode of Keep Your Hands Off Eizouken up to an... Club commissioning an anime, commissioned by the robot club commissioning an anime short from the.. 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